Alexa Tomas 238

Alexa Tomas & Silvie Luca - Outlines Episode 8 - Killing Me Softly
Released: November 1, 2015

By giving episode 8 of his innovative and experimental “Outlines” series a subtitle taken from a soulful romantic ballad, director Alis Locanta engages in a bit of playful misdirection. But when the film begins it does so on a jarring, sinister note, as a woman, scissors gripped tight in her balled fist, walks slowly through a darkened room. A quick cut reveals spread legs, a lathered pussy, a straight razor opening in the foreground. Then blackness. Alexa Tomas, scissors in hand, approaches the motionless and unresponsive Silvie Luca. She cuts Silvie’s dress from bottom to top, removes it, and circles, studying the now totally nude beauty. Alexa drops down and begins to kiss Luca’s pussy. Although her face remains impassive, a mask of undefined melancholy, Luca responds to Alexa’s touch and tongue. She moans as Alexa fingers her, and when Tomas stands up and skillfully strokes and gropes her, orgasm soon arrives. The conventions of lesbian erotica would now have the roles reverse and Silvie would proceed to pleasure Alexa, but this is “A Locanta Vision,” and the usual conventions do not apply. As the film proceeds we return to the shaving sequence briefly introduced in its opening moments. Alexa Tomas, in a highly aroused and agitated state, sits in a chair, her legs spread wide, her pussy exposed, as Silvie applies lather with a shaving brush. Silvie opens the razor and begins to shave. Alexa, wide-eyed, watches as the steel slides across her wet skin. The film cuts abruptly to a fragment from the dress-cutting sequence. The shaving resumes. The tension mounts. “Outlines Episode 8 — Killing Me Softly.” Erotic. Thriller. Period.

Alexa Tomas & Silvie Luca - Outlines Episode 2 - Riders On The Storm
Released: September 20, 2015

While the introductory installment of Alis Locanta’s “Outlines” was bold and provocative, in style, concept, and execution, it was not, we discover in “Outlines Episode 2 – Riders on the Storm,” the launch of a rigidly formatted series. Indeed, apart from its brevity — this episode is just over six minutes long, the debut was just over eight — “Riders on the Storm” has little in common with its predecessor. Most notably, this is a girl-girl film, and while it is highly stylized — it is “a Locanta Vision,” after all — it is free of the experimental visual effects that distinguished the earlier offering. But while the style of this episode is much more grounded in reality, it also plays with perception, point of view, and our expectations. Silvie Luca and Alexa Tomas, superficially similar but each distinctly beautiful, are costumed in nearly identical workout gear. Alexa, her skin beaded with sweat, has completed a routine on a pommel horse. From an adjacent room Silvie watches, then turns her back and impulsively begins to masturbate. In fantasy, or perhaps reality, Luca joins Tomas. She licks perspiration from Alexa’s torso, then, as Alexa balances on the apparatus, Silvie eats her to orgasm. In a parallel — or at least alternative — space, Alexa holds up a framed mirror while Silvie studies her own image. Luca acheives pleasure by giving pleasure. Tomas receives pleasure but doesn’t reciprocate. The narrative may be inscrutable, but “Outlines Episode 2 – Riders on the Storm” is a ride well worth taking.